art galleries essay

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General Advice For Composing An Essay About An Art Gallery

Teachers often ask students to write descriptive essays to improve their writing skills. Sometimes, they give students the opportunity to select any topics, but most frequently they provide students with exact subjects to write about. If you’re instructed to compose a descriptive paper about an art gallery, you may follow the tips below to complete your assignment successfully.

Steps to Take to Write an Impressive Paper

Choose a specific gallery.

It’s advisable to write about a real gallery rather than about an imaginary place. This will allow you to create better descriptions and make your text more interesting for a person to read. You may pick a gallery from your hometown.

Visit the gallery.

If you’ve never been to the gallery that you’re going to write about, you should visit it before you start writing. If you’ve seen the subject of your description essay for real, it’ll be much easier for you to succeed with your assignment.

Write a thesis statement.

A thesis is a sentence that determines the purpose of a paper. It’s advisable to compose it before you start writing the actual paper because all your body paragraphs should be directly connected to your thesis statement.

Outline your paper.

To structure your text properly, it’s advisable to plan its contents in advance. Divide your work into three main parts: an introduction, body, and conclusion. Then, you should indicate what you want to include in each part.

Write your introduction.

In the first paragraph, you should present the subject of your description and explain why you decided to write about this particular gallery. The introduction should end with a clear thesis statement.

Write your body paragraphs.

This is the part where you provide actual descriptions. Make sure to describe not only what you saw but also what you heard, sensed, and touched during your visit to the gallery. Try to describe everything gradually so that the reader understands your text clearly.

Write your conclusion.

Here, you should summarize your points and write about the general impression that you’ve got from visiting the gallery. Indicate the importance of keeping art galleries and attending them once in a while.

Final Steps to Take

After the main work has been done, you should proofread your essay to make sure that there are no mistakes and format it in accordance with the requirements stated in your assignment guidelines. Make sure to complete your task and submit your paper in time to earn the highest score. Services that provide cheap term papers can help you a lot with that.

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Art Gallery Essay

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KJ Gordon Miss Faulkner Art Appreciation 27 November 2021 Art Gallery Essay I traveled to the Quinlan Visual Arts Center museum in Gainesville. First thoughts of the museum is that it looks very small when you walk in but as you look around the art is very promising. There is an art contest that takes place there about every three months. While walking around and talking to the people who worked there I had fun trying to figure what piece of artwork won the contest. In third was a very great portrait of an old lady. While looking you can appreciate the details the artist put into it and would be surprised it wasn't second or first. I can't remember much of the artwork that was placed in second but that it was a painting of a boat in the middle of the ocean. Finally, the art piece that was placed first was a series of three different white birds that are painted and framed. Two of the birds look like they're in cages and one looks like it's standing in a gold circular figure. These paintings are sold together for $200. If I were the judge I would have placed the birds third, the painting of the boat second and the painting of the old lady first. With this being my first visit to a museum I was very surprised to find a lot of artwork that I liked. The first piece of artwork I noticed is a photograph of rain droplets falling while a bird is in the background sitting on a tree branch. The photograph is called “Nature’s

Abstraction” taken by a lady named Donna Sepulveda-Shelton. I really like how she put the focus on the rain droplets but you can still see the blur of a very colorful bird. The next piece of artwork I noticed is an amazing painting of an owl. Placed in a dark background with branches, the owl looks like it is flying in to land on a branch. Right next to that painting was another very powerful painting reflecting on the 19th amendment. In the center of the painting is the Statue of Liberty with silhouettes of women standing on hills to the right and the left of the statue. The two women towards the left of the painting are holding up a sign that says “Votes for women” and the lady on the right is just standing there while holding her kid's hand. Painted by a lady named Carol “Celebrate the 19th amendment” is one of plenty of amazing artworks in the museum. The next painting that caught my eye is another painting priced at $1,200 called “Metaphysical Dream” painted by Rae Broyles. The name of the painting is basically hitting it on the nose. It looks like a blue cloudy middle with purple paint splattered on the outside. I think anyone looking at this painting would say that it deserves the name because it looks like an outer space dream. The last painting is one that I would say is my absolute favorite. It’s an oil painting priced at $1,650 called “The Leap” painted by Kent Fry. The reason I think I like it so much is because it reminds me of a scene from Pocahontis. It shows a lady jumping off a tall grassy mountain into a body of water. All of this is placed in front of a very beautiful background with a very detailed storm towards the top of the painting and two little hills towards the top of the horizon of the water. I really considered purchasing this painting until I saw the price. If it was $1,400 less I

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Ielts essay # 1201 - museums and art galleries should concentrate on local works, ielts writing task 2/ ielts essay:, museums and art galleries should concentrate on local works rather than showing the cultures or artworks from other countries., to what extent do you agree or disagree.

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IELTS Writing Task 2 Topic: Museums and art galleries should concentrate on the history and art of their own country

Updated On Oct 03, 2023

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The Essay Writing section of the IELTS Writing Module can be a difficult task for many IELTS Aspirants. Thus, it is vital that you polish your essay writing skills before attempting the IELTS.

Below is a sample IELTS Essay for the IELTS Essay topic:

Some people think that museums and art galleries should concentrate on the history and art of their own country rather than the works of art of other parts of the world. To what extent do you agree or disagree with this opinion?

Opinion essay

Introduction

Paraphrase the topic of the essay.

Clearly give a prelude to the essay and what could be expected from it- Some individuals opine that these institutions should primarily focus on their local history and art instead of global works of art. I, however, largely disagree with this viewpoint as international works provide various benefits to the public.

Paragraph 1- Museums and art galleries offer a medium to understanding cultural heritage. By focusing on local history and art only, such institutions limit the knowledge of the public to the domestic borders. Conversely, if art and history from other parts of the world are displayed, museums and art galleries exhibit multiculturalism, allowing people to understand distinct histories and cultures, and thus, enhancing globalization.

Paragraph 2- International historical and cultural works would allow individuals to gain information on critical international issues that many countries face together. Many museums choose to have educational international exhibitions of important political and social issues, which may be more informative than the media.

Give a conclusion to the essay by giving an inference about the essay written.

Museums and art galleries play an important role in offering multifaceted knowledge to the public. Some individuals opine that these institutions should primarily focus on their local history and art instead of global works of art . I, however, largely disagree with this viewpoint as international works provide various benefits to the public.

Museums and art galleries offer a medium to understanding cultural heritage . By focusing on local history and art only, such institutions limit the knowledge of the public to the domestic borders . Conversely, if art and history from other parts of the world are displayed, museums and art galleries exhibit multiculturalism, allowing people to understand distinct histories and cultures, and thus, enhancing globalization . For example, the Vatican museum exhibits works from several European countries, allowing the smallest country in the world to be a bridge to explaining the cultural values of distinct nations under one roof.

Moreover, international historical and cultural works would allow individuals to gain information on critical international issues that many countries face together. Many museums choose to have educational international exhibitions of important political and social issues, which may be more informative than the media. For instance, the Melbourne Art Gallery has collections from across the globe in order to depict thoughts on poverty, war and trade , and in a survey, 88% of visitors declared that they felt more informed about such issues from the museum than from the news.

Countries might fear the loss of cultural heritage owing to having a multicultural setup of museums, however, that is not the case, one never tends to diverge and bias the topics of history on the basis of nativity.

In conclusion, I disagree to a large extent with the belief that museums and art galleries should focus on the history and art of their own country rather than international works, as with the latter, these museums and galleries build a platform for globalization and multinational knowledge.

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Humans have always been fascinated and intrigued by the enchanting chronicles of the past, certain historical events, etc. To aid that fascination, libraries and museums have played a major role. One gets to know a lot of details about the epoch and era they were never a part of. Some people say that a country should only be particular about their own culture and artefacts when it comes to their national museums to which I entirely disagree. In the forthcoming paragraphs, I shall be propounding about my beliefs in this regard.

Museums have remarkably assisted in safeguarding and preserving our ancestral whereabouts and know-how. Had it not been there, we wouldn’t have ever come to feel and know the accounts of the incredible past and astounding records. Now when it comes to being specific for a certain nation, it shall be extremely erroneous to even think of it. It not only diminishes the knowledge of people but also impedes the process of harmony. The world we are living in today was not always the same politically, it wasn’t divided into provinces and nations as we have today from the beginning. Hence, history is a shared resource and couldn’t be deemed to one particular authority to have sole rights over the events that took place on a particular ground. One gets to know about the cultural, traditional and lifestyle of their forefathers and lineage through correlating the elements of an era and hence fosters and fortifies international and multicultural relationships. For instance, an Indian would not be disinterested in knowing about European or Greek civilizations.

From the biological and historical perspectives as well, it shall be a massive deterrent to the growth of it, if at all, narrowing and gnawing off the resources to peep into the past of other nations get permitted and hence, tapering off the insights into the evolutionary revolutions. It would be a great impediment in the scientific endeavours and hence, shall be curbing the growth of humanity too. Therefore, it is extremely illogical and awful to limiting a nation’s or a region’s museum to its own confinements. Many a time a nation undergoing severities could be prevented from getting into the boundaries of a catastrophe by learning about similar episodes and the solutions they resorted to getting the way out of it and hence limiting the shades of the past of other regions could imperil the future of the possible threat that could be invoked on a country.

Though one might contend that incorporating other national artefacts and preserves could cut short the essence of native culture and heritage. However, if the art galleries are handled and planned meticulously, that problem would be defenestrated.

In conclusion, therefore, it could be said that museums and art galleries should foster national and international artworks as it only helps the present as well as the generations to come.

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Band 8+: Museums and art galleries should concentrate on works that show history and culture of their own country rather than works of the other parts in the world. To what extent do you agree or disagree?

Museums and art galleries are important places to preserve and display culture. Some people believe they should focus only on local artworks and traditions instead of showing items from other countries. However, I completely disagree with this idea. I believe museums should include both local and international works because it helps people understand different cultures and makes the experience more interesting for visitors.

One important reason to display international artworks is that it helps people learn about and appreciate different cultures. Art and artifacts from other countries teach us about their traditions, history, and way of life. For example, exhibitions of Japanese samurai swords or Italian Renaissance paintings show us the skills and creativity of those times. These displays encourage people to respect and value diversity, which is essential in today’s globalized world.

Another reason to include international works is that it makes museums more exciting and educational. A variety of exhibits can attract more visitors and provide a richer experience. For instance, the British Museum in London has a mix of Egyptian mummies, Chinese pottery, and Greek statues, making it one of the most popular museums in the world. When people see art from different countries, they feel more curious and are likely to return for more visits. This also helps museums grow in popularity and remain financially stable.

In conclusion, I disagree with the idea that museums should only focus on local works. Including international art helps people understand the world better and creates a more enjoyable experience for visitors. A good balance between local and global works can make museums more valuable and inspiring for everyone.

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Museums and Art Galleries Should Concentrate on Local Works Rather Than Showing the Cultures or Artworks from Other Countries - Task 2 Band 9 Sample Essay

Museums and Art Galleries Should Concentrate on Local Works Rather Than Showing the Cultures or Artworks from Other Countries - IELTS Task 2 Band 9 Sample Essay

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Sample Essay 1

Art and culture have no boundaries, and museums play a crucial role in celebrating this diversity. Some argue that museums and galleries should focus solely on local art; however, I strongly disagree. Exhibiting art from around the world enhances cultural understanding and promotes a more inclusive worldview. This essay will argue that featuring international art is essential for broadening perspectives and fostering a more connected global society.

Displaying foreign art in museums introduces visitors to new cultures, fostering a deeper understanding of global traditions, values, and histories. Art transcends mere aesthetics; it embodies the collective experiences, struggles, and triumphs of different societies across time. For instance, African sculptures and Chinese calligraphy, when showcased in Western museums, not only provide an avenue to appreciate these underrepresented artistic traditions but also challenge Western-centric narratives in art. This broad exposure encourages curiosity, empathy, and respect for diversity, prompting individuals to explore the broader complexities of the world. Without such opportunities, people would remain confined within their own cultural spheres, hindering their intellectual development and cross-cultural competence. The absence of foreign art would perpetuate insular perspectives, reinforcing cultural biases and limiting personal growth.

Moreover, international exhibitions offer an invaluable educational platform that deepens visitors’ understanding of the breadth and richness of artistic diversity. A museum that solely exhibits local works risks becoming stagnant, repetitive, and disconnected from the broader global art scene. In contrast, global exhibitions invite comparisons between different artistic movements, techniques, and philosophical themes across varying cultures and historical periods. For example, a gallery featuring both Italian Renaissance masterpieces and contemporary African art opens dialogue on how artistic expression evolves in response to social, political, and economic changes. Additionally, international exhibitions act as a catalyst for local artists, allowing them to draw from a rich pool of diverse styles, ultimately invigorating the local art scene with new perspectives and ideas. By offering a platform for global works, museums stimulate critical thinking, creativity, and intellectual curiosity in both visitors and artists, making the art world a more dynamic and interconnected space.

In conclusion, museums should not limit their collections to local works. By featuring international art, they provide opportunities for cultural exchange, enhance education, and promote creative inspiration. Embracing global diversity in art not only broadens individual perspectives but also strengthens connections across cultures.

Sample Essay 2

Museums and art galleries play a fundamental role in preserving and showcasing cultural heritage. Some believe that these institutions should primarily focus on local art rather than works from other countries. I fully agree with this perspective, as prioritizing local works not only strengthens cultural identity but also helps preserve the historical and artistic significance of a region. This essay will argue that focusing on local art brings numerous benefits to both the community and the art world.

Concentrating on local works allows museums to play a pivotal role in preserving and nurturing a region’s cultural identity. Local art is not merely a reflection of artistic talent; it encapsulates the historical struggles, values, and evolving traditions of a community, providing a living link between the past and present. By focusing on local artistic contributions, museums provide underrepresented and marginalized artists a crucial platform to showcase their work, thereby highlighting the distinctive nature of their community. For instance, regional folk art or indigenous crafts often get overshadowed by globalized art trends, which dominate the art market and media. Exhibiting such culturally rich but often ignored works ensures that these artistic forms are not only preserved but celebrated, promoting awareness of endangered traditions. In doing so, museums encourage community pride and foster a stronger sense of belonging, reinforcing the cultural fabric that unites individuals in shared heritage and identity, thus contributing to social cohesion.

Additionally, prioritizing local art is crucial in safeguarding historical and cultural legacies, particularly in an era of increasing globalization. The rapid exchange of ideas, art styles, and cultural influences across borders threatens to dilute local traditions, potentially erasing centuries of cultural expression. Museums act as custodians of this heritage, preserving the region’s creative evolution and ensuring that future generations have a genuine connection to their historical and artistic roots. Unlike foreign exhibitions that often lead to shallow comparisons or an exoticized view of distant cultures, local works offer a more profound, context-rich narrative that is deeply tied to the region’s historical, social, and economic development. Moreover, global art trends may overshadow or marginalize the significance of a community’s own artistic achievements. By focusing on local works, museums remain relevant and integral to the cultural landscape, offering nuanced educational experiences that help visitors appreciate the region's unique contributions to the global cultural tapestry, without losing sight of their own identity.

In conclusion, museums and art galleries should focus on local works, as this preserves cultural identity and safeguards historical significance. Prioritizing local art strengthens community bonds and ensures that the unique stories of a region are not lost amidst global influences.

Sample Essay 3

Museums and art galleries play a vital role in preserving and promoting culture. While some argue that these institutions should prioritize local works, others believe they should feature international pieces. This essay argues that a balanced approach, showcasing both local and foreign art, offers the best cultural enrichment. By promoting local heritage and embracing global influences, museums can foster a deeper understanding of diverse cultures.

Focusing on local art plays a vital role in preserving and promoting a nation's unique cultural identity. Museums and galleries act as crucial custodians of history by offering a platform for local artists to showcase their work, ensuring that both traditional and contemporary local art forms are appreciated by the public. This, in turn, nurtures future generations of artists by giving them exposure and a sense of pride in their cultural heritage. For example, Japan’s art institutions meticulously preserve its unique cultural legacy, from traditional ukiyo-e prints to avant-garde modern works, which instills national pride while keeping cultural narratives alive for future generations. Additionally, concentrating on local art significantly boosts the cultural tourism industry, drawing visitors who are keen to experience authentic, localized artistic expressions. This contributes to both cultural preservation and economic growth through heritage tourism, strengthening the local economy and community ties.

However, focusing solely on local art risks fostering cultural insularity and limiting the broader perspectives that art can offer. Art is a universal language that transcends geographical boundaries, and museums that display foreign works offer audiences the opportunity to engage with new ideas, histories, and traditions that are vastly different from their own. For instance, the British Museum in London, with its vast collection of artifacts from ancient Egypt, Greece, and Asia, provides visitors with a rich, global perspective that deepens their understanding of various civilizations. Exposure to international art not only broadens appreciation for artistic diversity but also encourages cross-cultural dialogue and connections, which are increasingly vital in today’s interconnected world. Additionally, showcasing global art can inspire local artists to innovate and evolve their own practices by drawing on the techniques and ideas of other cultures, creating a more dynamic and forward-thinking art scene. Without this exchange, local art could become stagnant and risk losing relevance in a rapidly globalizing world.

In conclusion, while it is crucial for museums and art galleries to support local art, they should also embrace international works. By striking a balance between local and foreign art, these institutions can both preserve cultural identity and promote global awareness, offering visitors a comprehensive and enriching experience.

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Art Gallery Experience, Essay Example

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In this essay I will compare and contrast Richard MacDonald’s sculptures: Joie de Femme and Sissone while also approaching the works of art through the scope of Clive Bell’s quote, “The battle is won. We all agree now that any form in which an artist can express himself is legitimate, and the more sensitive perceive that there are things worth expressing that could never have been expressed in traditional forms” (Clive Bell, in catalogue of the Second Post-Impressionist Exhibition, 1912).

Richard MacDonald has chosen to express himself through his sculptures. He uses mainly bronze as a medium. MacDonald focuses mainly on figurative sculpture: meaning he focuses on anatomy like the classical Greeks did. By focusing on anatomy as expression, MacDonald perhaps is suggesting a commentary on modernity. If this is the case (and I believe it is) then Bell’s quote has as much to do with art as it does with humanity.

The human figures that MacDonald chooses to sculpt are bodies caught in action as the show focuses on Cirque de Soleil performers. To choose this group of people in which to showcase his art says a lot about MacDonald. It suggests that he prefers human anatomy to be in a state of motion. Both Joie de Femme and Sissone depict women in different forms of play. In Joie de Femme MacDonald has two whimsical female creatures bent and playing a type of flute (something pan-like). This suggests that perhaps the figures are dancing. If the figures are dancing then Bell’s quote can be interpreted as being suggestive of the artist incorporating other pieces and forms of art in order to influence their own work. This is certainly the case for MacDonald, as he has chosen the Cirque performers as his subjects, and they all are dancers and performers. To use this group of people may further suggest that MacDonald is creating a type of story around his sculpture. This definitely takes on a type of “non” tradition form that Bell was referencing.

Dance, music, sculpture are all forms of art. In Joie de Femme the viewer sees two scantily clad dancers/performers bent over. The act of bending over suggests that the figures are caught mid-motion through a type of dance. This is certainly the case with Sissone where MacDonald has chosen to depict a dancer (as can be deciphered from her muscular body and form). In Sissone the viewer is allowed to see the figure (in bronze) gracefully gliding through air in a dance move. This too is caught in mid-motion. The difference between the motions of these two sculptures I believe the facial expression.

In Sissone MacDonald gives the viewer a graceful dancer with an almost pristine/expressionless face (not to say ugly) while in Joie de Femme the subjects are so intent on the music they’re playing that they don’t seem to be stoic so much as completely involved in the music they’re playing that their lost to the outside world. IN Joie de Femme it is as if the figures aren’t aware that they have an audience and people gazing at them intently while in Sissone the viewer feels as the subject is aware of an audience and so her facial expression represents a need for poise and refinement.

That is the basic difference between these two sculptures: one is unaware of the moment while the other one is caught in the moment. Even MacDonald’s attention to body language in either sculpture refers back to this basic difference. In Sissone the figure’s entire body has intent coursing through it. Her hands point in different directions with a force behind them. Her legs stretch out revealing musculature of her well-formed legs (dancer’s legs) and her torso jolts forward and back giving herself fully to the moment to push forward. This is a sculpture that has intent written all over it. Even the way the fingers spread and pivot suggests a type of allowance for intensity. Such an intensity in fact that her lips purse. The only time I see anyone’s lip purse is when they are in extreme concentration. It’s like watching a basketball player shoot hoops. When they are completely concentrated on the game and trying not to allow for any distractions, they in turn let their faces contort in all kinds of strange and weird ways. The dancer in MacDonald’s piece is not different. She is not lost in the moment, she is completely aware of the moment. She has to be. As a dancer she has to know where every single one of her movements will land her. Her muscles have to be able to react in an instant to her partner or to the choreography. As such, she can’t allow for the unique or spontaneous otherwise it would damage the effect of the dance. A dance is intended to interpret human emotion through its art (as Bell states) but only in a confined way. The magic of the dance comes through the preparation. There can be no room for a misstep otherwise the intended effect of the whole routine is compromised. One misstep can lead to an entire company landing in the wrong cue marks and perhaps even be damaging not only to the audience but also to themselves (injuries for missteps for dancers can be quite serious). This dancer in MacDonald’s sculpture is very aware of all of that. She’s been practicing this very move for six months in preparation for her tour with the company. If she misses a step it not only could mean her job but also she risks the health of her entire company (a dancer missteps and legs can be broken, or ankles twisted). This awareness of the moment is what most marks this piece and what most differentiates it between Joie de Femme.

Joie de Femme in contrast to Sissone is about staying in the moment. The flutes for either figure are being played, the figures are bent in (perhaps) a type of dance, and their body language suggests nothing short of abandonment. This is certainly a different type of dance. The movement the figures are going through certainly matches the diagonal movement of Sissone . Diagonals in art suggest movement actually (in paintings such as Titian). In Sissone the diagonal was going in one direction (the torso thrust forward and the hands and leg bent back suggested a forward motion). In Joie de Femme the diagonal is all over the place. One figure has their elbows bent while holding the flute to her lips. He leg is not only bent but bent with the calf thrust to one side so that a diagonal is created with the knee and then with the angle the thrust leg gives to the foot. Her other leg is taunt and flexed to the rock but her torso leans forward away from the potential angle of that taunt leg. Even her head is bent cockeyed to her neck and chest, thrown to one side while the flute propels out of it. None of these angles however compare with the fingers. If there is an ounce of intent behind any of the muscle movements in the piece it is found with the fingers. They play above the notes, bent and ready for the next set of notes to play. They point in all directions. While the dancer’s fingers in Sissone are stiff and pointed with intention as well, this flute player’s fingers are ready to dive into the next set of notes with an urgency that has nothing to do with appeasing an audience the way the dancer’s fingers are intended to move precisely to a choreographed account of movements.

The second and lower flute player’s body is also bent in as many contortions as the first. Her feet are angled in different direction (one seems to lovingly touch the other flute player’s foot on the rock with a type of caress). Both of the flute player’s knees are bent and the torso bends forward almost allowing the upper half of her body to touch the lower half (perhaps suggesting how close the mind is to the body and there ought not to be a separation between the two – a suggestion echoing Bell’s example of the war being over). Her elbows are cocked in similar fashion as her counterpart. This is something that Sissone does not communicate: she is bent by limbs away from her body, not her limbs away from her limbs as the knees and elbows of Joie de Femme . Her fingers are also bent in the same fashion as her counterpart. Her face is not stoic like Sissone’s face is stoic, but rather imbibes something that looks like raised eyebrows at the tonality of her notes suggesting that she is fully engrossed in what she is doing and is not aware of any potential viewer.

If Bell is suggesting a battle being over and the spoils of war being that expression of self can be had through any number of forms, then MacDonald is doing Bell justice with both of his works. There is a link between the two sculptures: their garments. Sissone wears a gossamer (one can only guess) type garment that clings to her body like the Hellenistic statues from ancient Greece. The garment outlines the dancer’s body perfectly almost as if it isn’t there. So perfectly in fact that I had to take second and third looks just to make sure that it was indeed an article of clothing I was seeing and not a trick of the light. The garment clings and allows the viewer to see the entire dancer’s body as if she were wearing nothing at all. It is in effect a wisp of a thing. So wispy in fact that the only trace of its lines occur around the breasts. It disappears somewhere right below the upper thigh (as can be seen with the genitals not have any detail when the entire rest of the dancer’s body is burdened with detail). The garment in effect becomes part of the dancer, melding into her as she flies into her motion and allows a freedom for this motion.

Both sculptures allow for this freedom of motion in their garments. It is one of the things that both pieces have in common. In Joie de Femme the garments are also reminiscent of the Hellenistic period as the garments suggest movement. Prior to this time period in art sculptures were completely stoic, although the bodies were of impeccable detail, there was no movement. MacDonald’s pieces break from this canon and the spoils of the war with the artistic canon allow an artist freedom in creating their art according to their own standards and desires for expression.

It is interesting to note the difference in placement of the garments for each sculpture. Joie de Femme has MacDonald using garments to cover the lower half of the performers while in Sissone he uses the garment to cover the upper half of the dancer. Although the dancer’s body barely registers having any garment on it, the full thickness and angry waving of the Joie de Femme’s garments cannot go unnoticed, so much a part of the sculpture they are. Although they cover the lower half of the flute players’ bodies, they do so sparingly as they whip past their forms and play around in drastic ways past their bodies. This may be MacDonald consciously associated the garments with what the respected performers are trying to accomplish. That is, in Joie de Femme the garments wave around the players with complete abandon, and don’t adhere to form, thereby suggesting that they are free from the very bodies they were suppose to cover (in effect, not achieving their intended purpose of keeping a person clothed). While in Sissone the garment is nearly imperceptible suggesting that the only thing that matters to the dancer (and thereby to the audience) is form. Both sculptures use fabric to enhance their intended message: form.

While I’ve talked about body angles and fabric I have yet to mention what the figures are actually doing: performing. The dichotomy of performance between each piece suggests some commentary from MacDonald about these particular forms of art. Sissone is dancing; it’s rigid, but beautiful in its stoicism. MacDonald may be suggesting that dancing is a practiced art that inspires from performers adherence to choreographed steps that create a beauty in how well the dancer performs the steps. In Joie de Femme the performers are playing flutes (perhaps pan flutes) and their bodies suggest that this is fun for them, they’re lost to it, enjoying it because it’s kind of like a jam session. There are rules to follow, just the emotion of the piece. The forms of the performers adhere to each individual message from MacDonald.

I might also mention something about MacDonald’s use of the pan flute in Joie de Femme. Pan was a fertility deity. He was half man, and half goat and a sex god. He roamed the countryside having sex and often impregnating women and all the while he played a flute while he did it. This flute is associated with Pan to such a degree that it is formally known as the pan flute. The performers in Joie de Femme are using this flute in order to play their music. This connotes a very different idea for the sculpture if the viewer had no idea what a pan flute signified. It signifies sex and fertility. Keeping these themes in mind while viewing the art the piece takes on added meaning. The women are dancing around half naked, but the parts of them that are covered by a garment, the garment seems to want to detach itself from their waists, leaving their entire personages exposed. This playfulness only seems to add to the idea of frolicking and sex suggested by the performers. In fact, the angles of the performers’ bodies further expound on this theme as all of the diagonals suggest movement, more movement in fact than can be exemplified by bronze. It is almost as if the performers were calling forth Pan with their flutes, inviting him to join them in their revelry.

Although MacDonald made both sculptures, they stand for very different things but use the same proponents: garments, performance art, and angles. Using all of these devices in his sculptures, MacDonald was able to create a way in which performers symbolized different aspects of their art. Sissone represents strict adherence to rules and regulations, as dancers are required to keep their cues in order for the true beauty and appreciation of a performance piece to be anticipated. Joie de Femme suggests a leave taking of rules (as suggested by the garments active role in the piece) as can be deciphered with the performers using pan flutes and their extreme body angles and diagonals. Each piece gives the viewer something new to think about and something new to appreciate about art and sculpture. Bell said that we are living in a time of art where expression can now be free from previous rules/laws/canons. MacDonald has certainly done that with his pieces (his entire show in fact). He has presented the audience with the basic human form, and put that form into different artistic expressions with very different connotations for each expression. This is a commentary on the human range of emotions when looking at art, and MacDonald does it succinctly.

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